Self-Portrait As Othello, by Jason Allen-Paisant
- Jan 4
- 6 min
Long and Difficult Sentences
- Dec 14, 2023
- 7 min
Derry Reimaginings: Hope and Humour in Seamus Heaney and Derry Girls
- Dec 1, 2023
- 9 min
The Curious Relationship Between Loneliness and the Genealogy of True Crime
- Jul 18, 2023
- 4 min
'Her' in the Moment of Generative AI
- Dec 29, 2022
- 10 min
‘Our generation did not come with the manual for use in the package’: Queer Romania
- Dec 20, 2022
- 8 min
The Celluloid of Memory : Łódź, Wajda and Me
- Dec 13, 2022
- 4 min
Swallow Sings Calypso: Voices of Freedom
- Dec 8, 2022
- 3 min
The Man Who Wouldn’t Be Murdered is Deadly Good : a Retrospective Review
- Nov 12, 2022
- 6 min
My Yerevan
- Nov 6, 2022
- 7 min
Aria Aber’s Splintered I
- Oct 10, 2022
- 8 min
A Wary Glance into the World of Dark Academia
- Sep 22, 2022
- 6 min
Who Was There ? Taylor Swift and Performing the Gendered Self
- Aug 16, 2021
- 7 min
The many hats of Patrick Marber
- Jun 21, 2021
- 7 min
Hozier's Heresies
- May 20, 2021
- 5 min
Disposable photos: transience and analogue rituals
- May 1, 2021
- 7 min
‘It’s a kind of moral coming-of-age’: Debora Harding on Memory, Trauma, and Recovery
- Mar 25, 2021
- 6 min
意識流
- Mar 23, 2021
- 8 min
‘Am I trying to disappear?’: Self-Fashioning in the Works of Francesca Woodman and Phoebe Stuckes
- Mar 6, 2021
- 6 min
Living in a Fairy Tale World