"Marber is currently wearing his director hat..."

"Hozier disobeys and disrupts orthodoxy through its own language..."

"with every ‘revolt against mourning’, every disposable camera flash, every giddy notes app paragraph, we keep Larkin’s prophecy true..."

"Debora Harding’s writing operates with the reader in mind..."

"Where can we begin but a lack of clarity?..."

"A 1940s movie star glows against a black background. Her hair is loose around her shoulders but still holds the curve of..."

"At first, the Hansel and Gretel of my childhood stay firmly on the beaten track..."

"An Irishwoman, two Americans, and five French teenagers walk into a bar, sit at separate tables, eat, and leave..."

"Before he began to create the large-scale geometric ‘colour fields’ for which he’s best known, Mark Rothko tried out a variety of styles.."

"Oma sits, leaning forward, hands clasped over the head of her walking-stick..."

"...food is for Fisher a kind of master key to human experience."

"Slow cinema grants us the ability to experience time as the subjects of the films themselves experience it..."

"‘Sunshine Posho’ makes me wonder what words have to do to dissolve the stodgy, institutional comfort that Cambridge so often stands for."

"To me, Nick Drake sounds like coming home, even when you’re not quite sure where home is..."

"...[the] age of the ‘iconic’ cisgender white gay man has reached its expiry date."

"I live, now, not at home, but somewhere between two unseeable points..."

"Racial diversity in ‘coming-of-age’ films must extend to diversity of stories and experiences..."