‘Our generation did not come with the manual for use in the package’: Queer Romania





- Dec 20, 2022
- 8 min
The Celluloid of Memory : Łódź, Wajda and Me


- Dec 13, 2022
- 4 min
Swallow Sings Calypso: Voices of Freedom


- Dec 8, 2022
- 3 min
The Man Who Wouldn’t Be Murdered is Deadly Good : a Retrospective Review


- Nov 12, 2022
- 6 min
My Yerevan


- Nov 6, 2022
- 7 min
Aria Aber’s Splintered I


- Oct 10, 2022
- 8 min
A Wary Glance into the World of Dark Academia


- Sep 22, 2022
- 6 min
Who Was There ? Taylor Swift and Performing the Gendered Self


- Aug 16, 2021
- 7 min
The many hats of Patrick Marber


- Jun 21, 2021
- 7 min
Hozier's Heresies


- May 20, 2021
- 5 min
Disposable photos: transience and analogue rituals

- May 1, 2021
- 7 min
‘It’s a kind of moral coming-of-age’: Debora Harding on Memory, Trauma, and Recovery


- Mar 25, 2021
- 6 min
意識流

- Mar 23, 2021
- 8 min
‘Am I trying to disappear?’: Self-Fashioning in the Works of Francesca Woodman and Phoebe Stuckes


- Mar 6, 2021
- 6 min
Living in a Fairy Tale World


- Mar 3, 2021
- 7 min
The Traveller in Residence: Maeve Brennan's New York


- Feb 11, 2021
- 6 min
The Validity of the Merger: Notes on Rothko in Isolation

- Feb 3, 2021
- 11 min
Conversations in the Garden – Portraiture during a Pandemic


- Feb 1, 2021
- 7 min
Sea Change: Quarantining With M.F.K. Fisher

- Jan 25, 2021
- 11 min
Seeing With Another’s Eyes: Slow Cinema and Marginalised Communities